The Early November came out of nowhere in 2001, and after a strong debut in The Room's Too Cold, frontman Ace Enders got ambitious. Their sophomore record, The Mother, The Mechanic, And The Path, is a three-disc concept album that pushed every boundary. It's the longest album we've ever reviewed and scored, clocking in at 2 hours and 12 minutes, with more than 45 tracks that tell the story of a broken family and a boy who's afraid to follow in his father's footsteps... and make his father's mistakes. It's all told in their quintessential 2006 emo-punk sound, over the course of hits like Decoration, Hair, and 1,000 Times A Day. Whether it's a big hit or a big miss, you can't deny it's a big swing for this new band.

We'll talk about the band's debut in the rock scene and their acoustic re-workings of their early songs that help develop their softer side. The Mixtaper introduces us to a record-breaking Conga and a new adrenaline sport, as well as the art of van-flipping. We do have a Mixtober tie to break in Fact Or Spin, after all! Then we'll work our way through the album disc by disc by disc, sharing our favorite moments, our impressions of the story, and more. Which disc will reign supreme? Will Connor be able to overlook integrated dialogue on The Path, a section that feels more like an audio drama than an album? If there's A Bigger Meaning to this record we'll Figure It Out this week!